
Who coined the phrase Acid Jazz?
Ask Gilles Peterson ... He said
"I was
with Chris Bangs at one of Nicky Holloway’s nights. One room, five DJs,
1,000 people. Paul Oakenfold was before us. He was wearing a smily
t-shirt and on it was ‘Get on one matey, acid’. Everyone was going nuts
listening to acid tracks by Phuture. Chris Bangs and I were like, ‘Fucking
hell, this is wild, what are we going to play? We’re on next’. There
was a fusion of rare groove, acid house and growth in club culture that
was making it quite an interesting period. Oakenfold left everyone in
rapture, we put on this old 7-inch by Mickey & the Soul Generation
which was a rare groove record with a mad rock guitar intro and no
beat. I started vary speeding it so it sounded all warped. Chris got on
the microphone and said, ‘If that was acid house, this is acid jazz’.
That’s how acid jazz started, just a joke. That was really where acid
jazz became acid jazz, it wasn’t a music form, it wasn’t anything, it
was just a joke to counteract acid house. By calling our thing acid
jazz we actually created a name for what we were doing that was
contemporary with the acid house scene.
‘Within
a few months of acid house happening, we were putting on parties of our
own called Cock Happy. We were doing the acid house thing but to a
different soundtrack. All the people who were the key people in acid
house, the first prophets of that scene and that lifestyle, they were
all regulars at my clubs."
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London in
the mid 80s had a thriving warehouse party scene and a lot of club
nights. They ran the spectrum of music from upfront soul to hip hop but
there was a strong liking of old funk and soul which eventually became
labelled as Rare Groove. In the south east this became popular enough
to propel the likes of Maceo and the Macks‘ Across The Tracks into the
national charts. However there was really nothing happening outside the
capital and when black America’s latest discovery hit these shores with
a vengeance it all but wiped out rare groove.
Its
prevalence also almost wiped out another one of London’s clubbing
experiences - jazz dance. However with their eyes on the main chance
DJs Chris Bangs and Gilles Peterson started playing funky jazz, a touch
of soul and hip hop instrumentals alongside their more normal latin and
soul jazz grooves and called it ‘acid jazz’. With clubs such as the
Cock Happy and Talking Loud at Dingwalls they attracted not just their
old following but a bunch of renegades from rare groove and in fact
anyone who didn’t want to bow to the tyranny of the 4/4 beat.
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